{"id":7923,"date":"2025-10-23T08:51:00","date_gmt":"2025-10-23T06:51:00","guid":{"rendered":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/?p=7923"},"modified":"2025-11-12T16:44:53","modified_gmt":"2025-11-12T14:44:53","slug":"loeuvre-douce-amere-de-katia-bourdarel-a-marseille","status":"publish","type":"post","link":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/2025\/10\/23\/loeuvre-douce-amere-de-katia-bourdarel-a-marseille\/","title":{"rendered":"L\u2019\u0153uvre douce-am\u00e8re de Katia Bourdarel \u00e0 Marseille"},"content":{"rendered":"<div class=\"paragraph\">\n<p>\u00ab <i>A<\/i><i>ux fronti\u00e8res du r\u00eave et du r\u00e9el, l\u2019univers de Katia Bourdarel m\u00eale le corps et la nature dans un voyage entre lumi\u00e8re et ombre, fragilit\u00e9 et puissance, douceur et chaos<\/i>\u00a0\u00bb, affiche un panneau au rez-de-chauss\u00e9e du Mus\u00e9e Regards de Provence, qui accueille jusqu\u2019au 15\u00a0mars 2026 l\u2019exposition de cette Marseillaise, \u00ab\u00a0De fiel, de miel et de sel\u00a0\u00bb. A priori, une exposition aux saveurs fades. Jusqu\u2019\u00e0 ce que notre r\u00e9tine, ne s\u2019accommode difficilement d\u2019une s\u00e9rie de toiles qui paraissent \u00eatre des photographies au r\u00e9alisme invraisemblable. Mais quelques pas en avant, permettent de voir le d\u00e9tail de ces peintures, parmi lesquelles <i>Damnatio memoriae #9<\/i> et <i>Rebelle #1<\/i>. En vis-\u00e0-vis, une statue masqu\u00e9e par des feuillages, et le m\u00eame item enti\u00e8rement drap\u00e9 de blanc. Presque envie de soulever ce voile tant il para\u00eet concret. Entre le fiel et le miel, elle est peut-\u00eatre l\u00e0, la pinc\u00e9e de sel.<\/p>\n<\/p><\/div>\n<div class=\"intext\"> \u00ab\u00a0Noirceurs et soleils\u00a0\u00bb\n              <\/div>\n<div class=\"paragraph\">\n<p>\u00ab<i>\u00a0<\/i><i>Inspir\u00e9e par des figures mythologiques ainsi que par des textes classiques de Platon et Ovide \u00e0 Apul\u00e9e<\/i>\u00a0\u00bb, indique la commissaire de l\u2019exposition, Am\u00e9lie Adamo, \u00ab\u00a0<i>l\u2019\u0153uvre de Katia Bourdarel nous plonge dans une exploration intime et collective de la m\u00e9tamorphose. Elle r\u00e9sonne avec nos noirceurs et nos soleils, de l\u2019amour \u00e0 la mort<\/i>\u00a0\u00bb. Diff\u00e9rentes Narcisse et odalisques sont encore bluffantes de d\u00e9tails, tout au long d\u2019un parcours o\u00f9 les nus sont l\u00e9gion, d\u00e9voilant chaque pli des corps et du visage. Plus l\u2019exposition se d\u00e9voile, plus la clart\u00e9 laisse place \u00e0 la noirceur, comme le sugg\u00e8re une nu\u00e9e de corbeaux suspendus en l\u2019air. Le chemin tout trac\u00e9 vers les <i>Nocturnes m\u00e9tamorphoses<\/i> de Katia Bourdarel qui, au son d\u2019une musique cr\u00e9pusculaire, d\u00e9voilent des beaut\u00e9s douces-am\u00e8res, assaisonn\u00e9es d\u2019un sel qui nous comprime le c\u0153ur et les art\u00e8res.<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"&laquo; Aux fronti&egrave;res du r&ecirc;ve et du r&eacute;el, l&rsquo;univers de Katia Bourdarel m&ecirc;le le corps et la nature dans un voyage entre lumi&egrave;re et ombre, fragilit&eacute; et puissance, douceur et chaos&nbsp;&raquo;, affiche un &#8230;","protected":false},"author":1,"featured_media":7924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[313,311,1236,10,3338,279,39,2320,16,153,3339,502,3248,2146],"news-destination":[],"news-source":[475],"is_homepage":[],"ta_other":[],"class_list":["post-7923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-art-contemporain","tag-artistes","tag-bouches-du-rhone","tag-dessins","tag-exposition","tag-expositions","tag-installation","tag-marseille","tag-musee","tag-musee-regards-de-provence","tag-peinture","tag-regard-de-provence","tag-sculpture","news-source-website"],"_links":{"self":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/7923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/comments?post=7923"}],"version-history":[{"count":1,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/7923\/revisions"}],"predecessor-version":[{"id":7925,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/7923\/revisions\/7925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media\/7924"}],"wp:attachment":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media?parent=7923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/categories?post=7923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/tags?post=7923"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-destination?post=7923"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-source?post=7923"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/is_homepage?post=7923"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/ta_other?post=7923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}