{"id":34289,"date":"2026-06-26T08:36:00","date_gmt":"2026-06-26T06:36:00","guid":{"rendered":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/?p=34289"},"modified":"2026-06-26T10:04:10","modified_gmt":"2026-06-26T08:04:10","slug":"corps-affranchis-de-la-masse-au-festival-de-marseille","status":"publish","type":"post","link":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/2026\/06\/26\/corps-affranchis-de-la-masse-au-festival-de-marseille\/","title":{"rendered":"Corps affranchis de la masse au Festival de Marseille"},"content":{"rendered":"<div class=\"paragraph\">\n<p>\u00c0 mi-chemin de sa 31<sup>e<\/sup> \u00e9dition, le Festival de Marseille fait escale samedi 27 et dimanche 28 juin au Th\u00e9\u00e2tre de La Cri\u00e9e. D\u00e8s 18h, ces jours-l\u00e0, place \u00e0 <i>S\u00e0HO<\/i>, chor\u00e9graphi\u00e9 et incarn\u00e9 par Nivine Kallas. Un solo qui \u00ab\u00a0<i>explore le corps comme territoire de r\u00e9volution et d\u2019exil int\u00e9rieur<\/i>\u00a0\u00bb, d\u00e9clare cette derni\u00e8re dans un entretien r\u00e9alis\u00e9 pour le Festival de Marseille. Avec pour d\u00e9cor une \u00ab\u00a0<i>simple petite chaise d\u2019enfant pos\u00e9e sur un tapis blanc, des extraits de po\u00e8mes de l\u2019\u00e9crivain libanais Mikhail Naimy traduit sa fa\u00e7on dans la langue des signes<\/i>\u00a0\u00bb, sa cr\u00e9ation questionne \u00ab\u00a0<i>la mani\u00e8re de traverser un monde o\u00f9 la langue refl\u00e8te un syst\u00e8me d\u2019\u00e9ducation qui n\u2019est pas \u00e0 jour<\/i>\u00a0\u00bb. Sur une musique m\u00ealant \u00ab<i>\u00a0<\/i><i>percussions orientales traditionnelles et influences contemporaines<\/i>\u00a0\u00bb sign\u00e9e par le DUO Sabil, une performance au d\u2019environ 35\u00a0minutes dans lequel elle \u00ab\u00a0<i>remonte le fil de sa m\u00e9moire et de son enfance<\/i><i>\u00a0<\/i>\u00bb au Liban pour mieux \u00ab<i>\u00a0<\/i><i>transformer la contrainte de la r\u00e9citation en un espace de libert\u00e9<\/i>\u00a0\u00bb, indique le programme.<\/p>\n<\/p><\/div>\n<div class=\"intext\"> \u00ab\u00a0Point de rupture\u00a0\u00bb\n              <\/div>\n<div class=\"paragraph\">\n<p>Place ensuite \u00e0 <i>En m\u00eame temps<\/i>. Pas une \u00e9ni\u00e8me macronade, mais une pi\u00e8ce d\u2019Olivia Grandville qui diss\u00e8que \u00ab\u00a0<i>l\u2019ambivalence des chor\u00e9graphies de masse et des unissons bien r\u00e9gl\u00e9s<\/i>\u00a0\u00bb. Neuf interpr\u00e8tes s\u2019aventurent dans ces danses, aussi bien exutoires joyeux que soumises ou instrumentalis\u00e9es\u00a0: \u00ab\u00a0<i>L\u2019exp\u00e9rience du en m\u00eame temps jusqu\u2019\u00e0 son point de rupture<\/i><i>\u00a0<\/i><i>: faire tenir, fissurer, d\u00e9liter la synchronie pour r\u00e9v\u00e9ler ce qu\u2019elle cache tout autant que ce qu\u2019elle lib\u00e8re<\/i>.\u00a0\u00bb<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"&Agrave; mi-chemin de sa 31e &eacute;dition, le Festival de Marseille fait escale samedi 27 et dimanche 28 juin au Th&eacute;&acirc;tre de La Cri&eacute;e. D&egrave;s 18h, ces jours-l&agrave;, place &agrave; S&agrave;HO, chor&eacute;graphi&eacute; &#8230;","protected":false},"author":1,"featured_media":34290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[2927,10,1250,3392,16,529,188],"news-destination":[],"news-source":[475],"is_homepage":[],"ta_other":[],"class_list":["post-34289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-arts-vivants","tag-bouches-du-rhone","tag-danse","tag-la-criee","tag-marseille","tag-spectacle","tag-spectacle-vivant","news-source-website"],"_links":{"self":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/34289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/comments?post=34289"}],"version-history":[{"count":1,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/34289\/revisions"}],"predecessor-version":[{"id":34291,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/34289\/revisions\/34291"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media\/34290"}],"wp:attachment":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media?parent=34289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/categories?post=34289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/tags?post=34289"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-destination?post=34289"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-source?post=34289"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/is_homepage?post=34289"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/ta_other?post=34289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}