{"id":30247,"date":"2026-05-22T09:46:00","date_gmt":"2026-05-22T07:46:00","guid":{"rendered":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/?p=30247"},"modified":"2026-05-22T10:04:16","modified_gmt":"2026-05-22T08:04:16","slug":"une-exposition-qui-sublime-la-poesie-des-mots-a-ales","status":"publish","type":"post","link":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/2026\/05\/22\/une-exposition-qui-sublime-la-poesie-des-mots-a-ales\/","title":{"rendered":"Une exposition qui sublime la po\u00e9sie des mots \u00e0 Al\u00e8s"},"content":{"rendered":"<div class=\"paragraph\">\n<p>\u00ab <i>C<\/i><i>ette r\u00e9trospective est la premi\u00e8re d\u2019envergure qui lui est consacr\u00e9e dans notre pays depuis 1978 au Mus\u00e9e national d\u2019art moderne<\/i><i>\u00a0<\/i><i>\u00bb, <\/i>annonce le mus\u00e9e al\u00e9sien Paul-Andr\u00e9 Benoit \u00e0 Al\u00e8s. Une r\u00e9trospective qui plonge les visiteurs dans l\u2019univers du cr\u00e9ateur g\u00e9orgien Ilia Zdanevitch, dit Iliazd, qui oscille entre la typographie et la po\u00e9sie.<\/p>\n<p>\u00ab<b>\u00a0<\/b><i>L\u2019exposition retrace son parcours singulier, depuis ses exp\u00e9rimentations futuristes en zaoum &#8211; langage transrationnel destin\u00e9 \u00e0 une lecture chorale &#8211; jusqu\u2019\u00e0 sa r\u00e9appropriation magistrale du sonnet, forme classique qu\u2019il a renouvel\u00e9e avec une audace et une complexit\u00e9 sans pr\u00e9c\u00e9dent<\/i>\u00a0\u00bb<i>,<\/i> pr\u00e9cise le mus\u00e9e.<\/p>\n<p><b>Une approche artistique incomparable<\/b><\/p>\n<p>L\u2019artiste d\u00e9finit le zaoum comme \u00ab<i>\u00a0<\/i><i>un langage compos\u00e9 de mots d\u00e9munis de sens, dans lesquels on ne peut trouver que des sons, et, \u00e0 peine visibles, des traces de racines verbales<\/i>\u00a0\u00bb, un langage \u00ab\u00a0<i>transrationnel<\/i><i>\u00a0<\/i>\u00bb qui se base plus sur la sonorit\u00e9 et l\u2019\u00e9motion que sur le sens litt\u00e9ral des mots. Ces \u0153uvres qualifi\u00e9es d\u2019\u00ab\u00a0<i>indissociables des soubresauts politiques et artistiques du XX<\/i><i><sup>e<\/sup><\/i><i>\u00a0<\/i><i>si\u00e8cle<\/i>\u00a0\u00bb par les programmateurs de cette exposition, mettent en avant non seulement des mots mais \u00e9galement des formes artistiques, cr\u00e9ant ainsi des ponts entre les mouvements futuristes russes, Dada et les cercles artistiques parisiens.<\/p>\n<p>Cette exposition est l\u2019occasion de se plonger dans la r\u00e9flexion de ce cr\u00e9ateur aux multiples facettes, typographe, po\u00e8te, romancier, mais aussi arch\u00e9ologue et byzantinologue, qui a collabor\u00e9 avec de grands noms de l\u2019art moderne comme Max Ernst, Alberto Giacometti, Henri Matisse ou encore Pablo Picasso. Il est rappel\u00e9 que \u00ab\u00a0<i>l\u2019exposition met en lumi\u00e8re son g\u00e9nie de <\/i>\u00ab<i>\u00a0<\/i><i>l\u2019art de la lettre et de la page<\/i><i>\u00a0<\/i>\u00bb<i> aux \u00e9ditions du Degr\u00e9 41 (41\u00b0)<\/i><i>\u00a0<\/i>\u00bb, une maison dont il a \u00e9t\u00e9 l\u2019unique ma\u00eetre d\u2019\u0153uvre et qu\u2019il a dirig\u00e9e toute sa vie.<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"&laquo; Cette r&eacute;trospective est la premi&egrave;re d&rsquo;envergure qui lui est consacr&eacute;e dans notre pays depuis 1978 au Mus&eacute;e national d&rsquo;art moderne&nbsp;&raquo;, annonce le mus&eacute;e al&eacute;sien Paul-Andr&eacute; &#8230;","protected":false},"author":1,"featured_media":30248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[663,279,238,284,2641],"news-destination":[],"news-source":[475],"is_homepage":[],"ta_other":[],"class_list":["post-30247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-ales","tag-exposition","tag-gard","tag-occitanie","tag-poesie","news-source-website"],"_links":{"self":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/30247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/comments?post=30247"}],"version-history":[{"count":1,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/30247\/revisions"}],"predecessor-version":[{"id":30249,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/30247\/revisions\/30249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media\/30248"}],"wp:attachment":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media?parent=30247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/categories?post=30247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/tags?post=30247"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-destination?post=30247"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-source?post=30247"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/is_homepage?post=30247"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/ta_other?post=30247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}