{"id":18447,"date":"2026-02-03T08:43:00","date_gmt":"2026-02-03T06:43:00","guid":{"rendered":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/?p=18447"},"modified":"2026-02-03T11:40:38","modified_gmt":"2026-02-03T09:40:38","slug":"bo-widerberg-anti-bergman-a-aix-en-provence","status":"publish","type":"post","link":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/2026\/02\/03\/bo-widerberg-anti-bergman-a-aix-en-provence\/","title":{"rendered":"Bo Widerberg, anti-Bergman \u00e0 Aix-en-Provence"},"content":{"rendered":"<div class=\"paragraph\">\n<p>Qui dit cin\u00e9ma su\u00e9dois fait forc\u00e9ment surgir la figure tut\u00e9laire d\u2019Ingmar Bergman, cin\u00e9aste ayant collectionn\u00e9 tout au long du XX<sup>e<\/sup>\u00a0si\u00e8cle des prix \u00e0 Cannes, Berlin et Venise. Un totem dont Bo Widerberg (1930-1997), qui fait l\u2019objet d\u2019un cycle du 5\u00a0f\u00e9vrier au 1<sup>er<\/sup>\u00a0mars \u00e0 l\u2019\u00c9cole sup\u00e9rieure d\u2019art d\u2019Aix, s\u2019est pourtant d\u00e9marqu\u00e9 d\u00e8s ses d\u00e9buts, lui qui estimait que le public ne peut pas \u00ab<i>\u00a0<\/i><i>se reconna\u00eetre dans les personnages de Bergman. Ils ne sont que des figures dans un th\u00e9\u00e2tre mental<\/i>\u00a0\u00bb.<\/p>\n<p>\u00ab\u00a0<i>Cin\u00e9aste, romancier, sc\u00e9nariste et critique de cin\u00e9ma<\/i>\u00a0\u00bb, Bo Widerberg fait davantage dans le charnel et le sensible. \u00ab<i>\u00a0<\/i><i>Consid\u00e9r\u00e9<\/i> <i>comme le chef de file d\u2019une nouvelle vague su\u00e9doise. Il a ouvert la voie \u00e0 un cin\u00e9ma libre et h\u00e9doniste, teint\u00e9 des couleurs de l\u2019impressionnisme<\/i>\u00a0\u00bb, plante le programme de l\u2019Institut de l\u2019image d\u2019Aix, \u00e0 l\u2019initiative de ce cycle.<\/p>\n<\/p><\/div>\n<div class=\"intext\"> \u00ab\u00a0Le quartier du corbeau\u00a0\u00bb\n              <\/div>\n<div class=\"paragraph\">\n<p>Le premier film r\u00e9alis\u00e9 par Bo Widerberg, qui lorgnait plut\u00f4t du c\u00f4t\u00e9 de la Nouvelle vague fran\u00e7aise, co\u00efncide ainsi avec <i>Le p\u00e9ch\u00e9 su\u00e9dois <\/i>(1963). Un drame autour de l\u2019histoire de \u00ab<i>\u00a0<\/i><i>Britt, ouvri\u00e8re en usine et Bj\u00f6rn, bourgeois cultiv\u00e9, qui dispara\u00eet<\/i>\u00a0\u00bb, tandis qu\u2019elle \u00ab\u00a0<i>tombe enceinte de Robban, guitariste canaille<\/i>\u00a0\u00bb. Il faut dire que ce cin\u00e9aste, dont l\u2019\u0153uvre a \u00e9t\u00e9 \u00e9clips\u00e9e par celle de Bergman, a le go\u00fbt pour des films \u00ab<i>\u00a0<\/i><i>empreints d\u2019humanisme et de pr\u00e9occupations politiques et sociales<\/i>\u00a0\u00bb, comme pourront \u00e9galement l\u2019illustrer les projections du <i>Quartier du corbeau<\/i>, dans les pas d\u2019\u00ab\u00a0<i>Anders, qui vit avec un p\u00e8re alcoolique et une m\u00e8re bourreau de travail. Pour d\u00e9noncer l\u2019injustice sociale, il veut devenir \u00e9crivain<\/i>\u00a0\u00bb, r\u00e9sume-t-on du c\u00f4t\u00e9 de l\u2019Institut de l\u2019image qui proposera au total huit de ses films.<\/p>\n<p><i><a rel=\"nofollow\" href=\"https:\/\/www.institut-image.org\/\">www.institut-image.org<\/a><\/i><\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"Qui dit cin&eacute;ma su&eacute;dois fait forc&eacute;ment surgir la figure tut&eacute;laire d&rsquo;Ingmar Bergman, cin&eacute;aste ayant collectionn&eacute; tout au long du XXe&nbsp;si&egrave;cle des prix &agrave; Cannes, Berlin et Venise. Un &#8230;","protected":false},"author":1,"featured_media":18448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[556,10,919],"news-destination":[],"news-source":[475],"is_homepage":[],"ta_other":[],"class_list":["post-18447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-aix-en-provence","tag-bouches-du-rhone","tag-cinema","news-source-website"],"_links":{"self":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/18447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/comments?post=18447"}],"version-history":[{"count":1,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/18447\/revisions"}],"predecessor-version":[{"id":18449,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/posts\/18447\/revisions\/18449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media\/18448"}],"wp:attachment":[{"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/media?parent=18447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/categories?post=18447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/tags?post=18447"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-destination?post=18447"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/news-source?post=18447"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/is_homepage?post=18447"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/euapp01.newsmemory.com\/lamarseillaise\/news\/wp-json\/wp\/v2\/ta_other?post=18447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}